Exploring Art, Student Edition 3rd Edition

T

There are 3 books output McGraw-Hill Education and all about middle school art program ; Introducing Art, Exploring Art, Understanding Art. each has been reprinted for many requests.
this book is great because of the fun way of delivering. Help them understand and appreciate other cultures, and encourage them to think more creatively and solve problems more effectively.

Exploring Art, Student Edition 3rd Edition, contains introducing art with media approach, painting, sculpture, etc. and media used.

more details please see here

Living With Art by Mark Getlein

In this book students are given understanding to be able to analyze the art. The tools for analyzing are also explained here, coupled with historical knowledge and influences. Make it analysis tool more rich and original.

Taken together, all of these elements help students to better appreciate art as a reflection of the human experience and to realize that living with art is living with ourselves.

"Throughout the previous seven editions, this text has earned a reputation for elegance and the highest standards of quality. Living with Art helps students develop an appreciation of art by offering a clear and comprehensive introduction to the visual arts from several perspectives: themes and purposes of art; the vocabulary of art; individual art media (painting, drawing, camera arts, sculpture, architecture, etc.); and the history of art. The book is rich with illustrations drawn from a wide range of artistic cultures and time periods" www.goodreads.com

read here or download

Glencoe Introducing Art Student Edition

This book is designed to introduce art to school students. So if you want to know the art more deeply not this book you are looking for.

But what I saw was not so. the book is built by a variety of good skills on art theory as well as art practice. this book also makes the reader excited because in between the discussion inserted biographical artists close to the subject. artist quotes are sometimes discussed.
in addition to discussing the theory in this book also in the present practice of art at the end of the discussion. this is so interesting.

you can read and download here

The Illustrated Encyclopedia of Weaponry by Chuck Wills.

This book explains the history of weapons from time to time, with illustrations accompanied by clear descriptions we are invited to wade through time to get to know various weapons. What, why guns are created, over time and knowledge of weapons are changing.

"Weapons have a unique appeal for collectors and museums because of their technology, materials, craftsmanship, and beauty. The most ordinary weapons tell the story of the time and the society in which they were made and used. Though they served and continue to serve deadly purposes, weapons allow a glimpse into human history" ROBERT LINDLEY

Creating Characters with personality by Tom Bancroft

"Creating Characters has never been easy for me. The designs don't gives themselves up without a struggle; there are no formulas for a quick and easy path. To design the character i do hundreds of drawing, exploring and waiting for that moment of recognition when i can see the face of the character I am searching for staring back at me. That is the magic moment I am always working to achieve" Glen Keane

Nietzsche's Revolution Décadence, Politics, and Sexuality

This book claims Nietzsche as a leftist revolutionary but without overlooking the conservative and retrogressive elements of his political philosophy. The author argues that these two 'halves' of his philosophy help construct a new form of politics for contemporary readers, a possibility of revolution post-Marx.

Here to read or download it

The Human Machine by George B Bridgman

What is the difference between art anatomy and Bridgman's concept of the human machine? The human machine is the body as not only a fixed framework but also as a complex work of art which moves and was designed to move.
In over 400 drawings, George B. Bridgman demonstrates the machine through the presentations which made him a gifted lecturer and teacher in his nearly fifty years at the Art Students League in New York and which gave life to drawings by his many students during those years. All skeletal and muscular systems are fully identified, and all are shown in front, back, and side views.

Conceptual Art: A Critical Anthology

This anthology is a very good collection of some of the more pertinent writings (and some examples) of conceptual art. 

What struck me is that most of the writings from the artists who began the "movement" (and if there is one thing this collection makes clear, it's that it is impossible to speak of conceptual art as a "movement" in any sort of easy, art-historical terms) in the mid to late 1960s reflect their each artist's own concerns with the commodity status of art and the gallery system (or the sense of stagnation in art circles of that time). However, most of those writing are entirely incoherent to someone entering them (like me) from the outside. I was much more impressed by the work that began to appear in the 1970s that sought to seriously theorize what was going on and what the various social and economic problems were that these artists were wanting to take on, change, or avoid. Much of t his work is theorized in Marxist form (though some do use some of the continental structuralist and poststructuralist theories that would make up "postmodernism"), and much of that theoretical work is very impressive indeed. The best of it, paradoxically, shows how weak how much of a failure much of the work of conceptual artists actually was (such as the work of Adrian Piper and Benjamin H. D. Buchloe). Most of the "theory" put forth by Art and Language (in either its British or New York collectives) is terrible, Stalinist crap, including most everything included here by Joseph Kosuth (who, early on and especially by the 1980s and 1990s, seemed much more interested in settling personal scores than in theorizing about art or the art system more generally).

What is missing from this anthology is more of the contemporary voices from the 1960s and 1970s who were not very impressed by conceptual art (there is one article from the time in this category and one retrospective account published here). Otherwise, this is a very deep and interesting collection that illuminates the complexities of the situation(s) around conceptual art both at the time and in various forms of retrospection

Drawing Portraits by Giovanni Civardi

Drawing Portraits faces and figures composed by Giovanni civardi is full of illustrations with various media images, pencils, ink, pens presented to explain and practice how to draw faces and figures. In one session like explaining about the shadows he presents a statue-faced highlighted face from various directions to highlight the face's volume from different angles and light.

You can or download it here

Rumi The Masnavi

Jawid Mojaddedi is known world-wide as a Rumi expert. He has published several books, including translations of Rumi's longest poem, known as the Masnavi, into simple English. The Masnavi: Book One was published in 2004 and was awarded the Lois Roth Prize for excellence in translation of Persian literature by the American Institute of Iranian Studies. The Masnavi: Book Two was published in 2007. - Wikipedia

Read and download here after skip add.

The Murder of Vincent van Gogh

This is story about Vincent van Gogh, but it is not historical biography. What you will read is a tribute to Vincent van Gogh: a book that invents character and situations that reach beyond reality to express what might have been Vincent van Gogh's inner experience on his unique life-journey.

Here the story after skip ad button.

Pencil Drawing Techniques

 Pencil Drawing Techniques brings together six of today's best artists, all of whom are incredibly fine instructors as well.

A fairly good book for beginners and intermediaries. It can be instrumental in getting the fundamentals right from the very beginning because once you start and pick up a pattern of drawing , then it gets very difficult to adopt a different methodology.

The book is divided into seven sections: how to handle a pencil, fundamentals of drawing, drawing landscapes, drawing portraits, drawing animals, drawing for watercolors, and handling color pencils. The copious illustrations show in detail how the artists use their techniques. For the artist who uses the pencil, Pencil Drawing Techniques is an an excellent instructional book of ideas for using the pencil creatively

you can read here or download it after click skip ad button

David Bellamy’s Watercolour Landscape Course

I think this is a great book for someone learning how to work with watercolours. Very informative with great illustrations and exercises to worth through. as  www.goodreads.com review "Well-known teacher-artist David Bellamy helps students to learn techniques by producing actual sketches, studies and watercolour paintings in this inspiring and practical guide.

The book is divided into three main parts:
• The first section covers all the practical aspects of watercolour painting;
• the second section is more challenging, requiring students to take a little more initiative and develop their own style; and
• the third shows how to paint the many different elements of the landscape.

The course includes numerous practical exercises which highlight the key points covered in each chapter and there are twelve demonstration pictures with clear, step-by-step instructions

read or download here after skipp ad button

Carrie Stuart Parks & Rick Parks - Secrets to Realistic Drawing

Reaping the joys of drawing doesn't have to be a long and painful process. With Secrets to Realistic Drawing, even complete beginners can get great results fast. It's easy to create lifelike sketches in no time.
The authors' infectious, you-can-do-it attitude is sure to make budding artists feel like they've finally found a true cheerleader for their creative dreams!

Burne Hogarth - Dynamic Anatomy (Revised and Expanded)

Burne Hogarth's Dynamic Anatomy(revised and expanded) is a wonderful introductory and intermediate course to drawing humans. In its strict technical sense, the book covers five aspects: proportions of the human body, anatomical details, the surface (light planes), foreshortening, and movement. The drawing style is powerful, dynamic, perhaps more often found in action-hero comics and computer games than in traditional figure drawing. The book also covers some of the philosophy and evolution of drawing. The writing style is perhaps the book's negative side; it is terse and sometimes obscure. Overall, though, a great read for wannabe artists.

Islamic art and culture: a resource for teachers

Add caption

Islamic art and culture: a resource for teachers, This packet was produced in conjunction with the exhibition Palace
and Mosque: Islamic Art from the Victoria and Albert Museum. It has been
supplemented with objects not in the exhibition.

you can read this book here

Brian Fairrington - For Dummies, Drawing Cartoons and Comics

As.Wiley has reviewed this book that "An original American art form, comics thrill millions of people across the globe." Drawing Cartoons & Comics For Dummies is a one-stop reference for Creating and marketing original cartoons and comics While some books tend to focus on specific characters or themes, this thorough guide focuses instead on helping aspiring artists master the basic building blocks of cartoons and comics, revealing step by step how to create everything from wisecracking bunnies To souped-up super villains It also explores lettering and coloring, and offers expert marketing advice."
But after a quick look at this book, it may be a bit off the mark. Because in this book very little explains about how to draw comics and cartoons. Only explanations about comic and cartoon elements such as text selection, text balloons and others, but not how to draw comics and cartoons. The rest of this book explains how to build a career as a cartoonist and comic artist, and about his own cartoon and comic business.

art power by Boris Groys

Mitpress.mit.edu explains a little outline contained in Art Power's book. In that review  he explain that "Art has its own power in the world, and is as much a force in the power play of global politics as it once was in the arena of cold war politics." Art, argues the distinguished theoretician Boris Groys, is hardly A powerless commodity subject to the art market's fiat of inclusion and exclusion In Art Power, Groys examines modern and contemporary art according to its ideological function Art, Groys writes, is produced and brought before the public in two ways-as a commodity and As a tool of political propaganda In the contemporary art scene, very little attention is paid to the latter function.

Arguing for the inclusion of politically motivated art in contemporary art discourse, Groys considers art produced under totalitarianism, Socialism, and post-Communism. He also considers today's mainstream Western art-which he finds behaving more and more according to the norms of ideological propaganda: produced and exhibited for the masses at international exhibitions, biennials, and festivals. Contemporary art, Groys argues, demonstrates its power by appropriating the iconoclastic gestures directed against itself-by positioning itself simultaneously as an image and as a critique of the image. In Art Power, Groys examines this fundamental appropriation that produces the paradoxical object of the modern artwork ".

A portrait of the Visual arts "Meeting the Challeges of a New Era"

Actually i hesitate to give a little information about this book, but goodreads.com has helped a bit. He said that "Providing information about developments in the visual arts world, this book promotes the analysis of the sector, describing the characteristics of visual arts consumers (collectors and appreciators), artists, finances, and organizations." It also tells a story of rapid, Even seismic change, systemic imbalances, and dislocation. "
If such happens then the art world is so immense, not only drawing and display.
It's important to read and I have to read it too.

scan book Arthur L. Guptill - Sketching and Rendering in Pencil

You are lucky to have seen or maybe have downloaded this book, considering this book is somewhat rare and very familiar in the faculty of arts and architects. Pencil and ink media spelled out the cheapest image media but Arthur L Guptill is not so. He describes these two media in great detail so as to explain them requires 4 to 5 pages without illustration.
It is certain that this book is intended for artists or someone who wants to improve their knowledge of drawing using ink and pencil