Learning How to Draw - Hagan

This webrip has been collected from the John Hagan website containing about learning basic drawing from drawing perspective to painting. We can hopefully draw constructions for every object. Here he also explains theories about painting and color selection.

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Enemy Game Character

Enemy character side scroll shooter. There are 3 enemy characters build for side scroll shooter game. They are; the robot cannon, robot 2 leg that can fly dan shoot the cannon to player. The drone, flying robots that roam quickly, is expected to annoy the the player, be careful it can shoot, The dragon, Mega enemy, the boss fight Lvl 1, 3 turret on its boddy can shoot 360° also 3 cannon on its head can shoot randomly, the ultimate giant laser from its mouth that is scary. The characters asset is build with vector software and animated with brushmonkey spriter pro. To edit the robot you can use adobe illustrator cs 4 or higher and if want to edit the animation you can use Spriter Pro. Also i add PNG files and Gif animated files without background.

Loneliness as a Way of Life by Thomas Dumm

"While loneliness is close to being a universal experience of human life, for many reasons it is not easy to describe. However, certain generally accepted truths concerning the human condition might serve as guideposts for discussion. For instance, we may note that to be human is to risk being alone in a way that is unbidden and unwanted. And we may also note that while we are alive, we humans search for what we imagine our world to be. It is true that from the start of our lives and for our lives' duration, we seek others to comfort us, harm us, ignore us, and move us onto our paths through and out of life. Loneliness is deeply entangled in all paths of life because it reveals in sharp profile some of the most important limits of who we are and how we are with each other. It may be said that loneliness is fundamental to the very constitution of our selves." page 26

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The Murder of Vincent van Gogh

This is story about Vincent van Gogh, but it is not historical biography. What you will read is a tribute to Vincent van Gogh: a book that invents character and situations that reach beyond reality to express what might have been Vincent van Gogh's inner experience on his unique life-journey.

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Sunstone by Octavio Paz

a poet book from Octavio Paz. Who is Octavio Paz? 

He is a Mexican poet and diplomat. It would be wise if you look on the wiki, it's all enough to expose him a bit..

the poet you can read here after skip ad on the top right button. 

beyond Hegel and Nietzsche by Elliot L. Jurist

This book is very heavy, try to read more calmly and without emotion, because the two figures are very hard in writing. Elliot L. Jurist tries to manifest both figures whether or not a philosopher can still be called? In this day and age. Can be read here!

Hikaru Hayashi - Techniques For Drawing Female Manga Characters

This is how to learn to draw manga. Hikaru hayashi has compiled his book.
Structured and as a reader or who is practicing drawing manga feel welcome to see it.

Ernest R. Norling - Perspective Made Easy

Perspective, the author tells us, is easy; yet surprisingly few artists are aware of the simple rules that make it so. This easy-to-follow book — the first devoted entirely to clarifying the laws of perspective.

Originally published in 1939, this Dover Book reprint has faithfully reproduced the original illustrations and the text is clear and easy to read. As a technique book, Norling covers each topic in simple steps with clear illustrations of each idea. If you're a beginner, this book will be very helpful, especially if you don't have a teacher and are trying to learn on your own.

I picked up this book to help me prepare lesson plans for next fall, and I was pleasantly surprised at the range of topics Norling covers, some of which I'd never considered before, and some which I haven't thought of since I was an art student back in the dark ages. Overall, a pleasant surprise and a useful resource for artists, teachers, and students.

Pencil Drawing Techniques

 Pencil Drawing Techniques brings together six of today's best artists, all of whom are incredibly fine instructors as well.

A fairly good book for beginners and intermediaries. It can be instrumental in getting the fundamentals right from the very beginning because once you start and pick up a pattern of drawing , then it gets very difficult to adopt a different methodology.

The book is divided into seven sections: how to handle a pencil, fundamentals of drawing, drawing landscapes, drawing portraits, drawing animals, drawing for watercolors, and handling color pencils. The copious illustrations show in detail how the artists use their techniques. For the artist who uses the pencil, Pencil Drawing Techniques is an an excellent instructional book of ideas for using the pencil creatively

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how to draw great looking comic book women

Christopher Hart compiled this book is very neat and interesting, we will know how to make beautiful and eye-catching a female comic character.

The goodread.com said that from basic anatomy, musculature, body positions, and action poses to facial expressions, hairstyles, and costumes, this truly invaluable and unique resource covers in great detail every aspect of depicting great-looking women for comic books. The book also shows how to handle perspective and compose art specifically for comic book panels. In addition to chapters offering effective drawing lessons are sections on tricks of the trade, lists of comic book publishers and their submissions addresses, and interviews with industry professionals Bobby Chase of Marvel Comics and Renae Geerlings of Top Cow, who provide insiders’ views of the business and give tips on how newcomers can land their first jobs in the field. Contributing illustrators have penciled and inked such famous characters as the X-Men, Superman, Batman, Spiderman, Catwoman, Supergirl, Green Lantern, Captain America, and many others.

David Bellamy’s Watercolour Landscape Course

I think this is a great book for someone learning how to work with watercolours. Very informative with great illustrations and exercises to worth through. as  www.goodreads.com review "Well-known teacher-artist David Bellamy helps students to learn techniques by producing actual sketches, studies and watercolour paintings in this inspiring and practical guide.

The book is divided into three main parts:
• The first section covers all the practical aspects of watercolour painting;
• the second section is more challenging, requiring students to take a little more initiative and develop their own style; and
• the third shows how to paint the many different elements of the landscape.

The course includes numerous practical exercises which highlight the key points covered in each chapter and there are twelve demonstration pictures with clear, step-by-step instructions

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how to draw comic book heroes and villains by christopher hart

This is an old school book that deserves to be read and can be a drawing practice buddy. Christopher Hart as in any other book, the simple way of delivering but about the most basic goal.
How to draw anatomy, selection of text, sounds, clothing, frames and even the selection of scenes per frame was explained in a straightforward and simple way. Personally I liked this book with this book I can build on what Christopher Hart stacking, or may exceed him in building a comic character.

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Are you pet lover?

If you are pet lover enough then, you should try my Gigs on fiverr.com, I will draw you and your pet only for $10 and you have A4 print resolution.
Check out of my Gig on fiverr.com  for more info.

Film Studies by Andrew M Butler

I think this is the best review I have seen.
"The world of movies and films is such an expansive universe that it's hard for anyone to say that they have seen them all. At one point that might have been true, but now with so many films and shorts being made every minute, there is just no way to do it. But at least there is a way to understand them all.

Film Studies is not just for film students, it's for anyone that truly wants to understand what it is they are watching. Just as students learn how to read, film studies should be viewed in the same way. People who just sit down and watch movies are probably only getting less than half of what the director wanted you to understand, and just like when you learn how to read certain books in a particular way you begin to understand what the author/director was really trying to say. The same can be said about film. When you study film and learn how to understand and watch them, a whole new world opens up. You begin to see the small details in the dialogue, the settings, the characters, the plot, and mise-en-scene.

Have you ever heard the phrase, watching TV and movies will turn your brain to mush? Probably came from those people we have to call parents, right? So what do they think is the cure-all solution? Read a book, why? Because it engages your imagination and requires you to think about what is going on, which is true. But you can only do that once you understand how to really read. Well, what most parents don't do, is teach their kids how to watch and understand TV and movies, because if they did, they will begin to see that it is just as stimulating as a book, because the viewer is now able to understand why the director moved the camera frame a certain way and what it means for the story. The viewer can understand the plot structured based on the actions of the character, and not only that, but the viewer understands what colors represent in film. At this point the viewer's mind is very much engaged with the TV show or film and so it doesn't turn their brain to mush.

The author of this book talks about all the related studies that film has to offer. The depth of the stories based on psychological perspectives, what Marx would say about certain films and why it matters. How Truffaut understood film and why he made his movies the way he did. Then there is the point of semiotics and the importance of dialogue and character structure in signifying certain actions and objects. Film is a very engaging act and when you begin to see that it is NOT a passive experience like so many (parents) believe, you begin to see why so many people, especially as young kids, felt inspired to do or become what they saw in a certain film. How many people became paleontologists because of Jurassic Park? or how many wanted to study oceanography after watching The Abyss? Film plays a very important role in everyone's life, as do TV Shows, so it should never be discounted as a waste of time, if it makes that big of an impact.

But it is not until you truly understand how to watch a film that you will be able to see beyond the moving images in front of you. Once you get beyond that, it's like stepping into a whole new world, or as they might say in the reading world, now you can read between the lines and see what the author was really saying.

If you truly want to understand movies and enjoy them on a much deeper level, take the time, just like you did when you learned how to read, to learn how to watch films. Find a film studies book and learn what everything means in each frame you see in a movie, because remember, every frame in a movie was painstaking chosen as to what would be in it, so it all has a meaning. If you do that, you will be able to go back and really enjoy some of the greatest classics ever made. "Gone with the Wind" will be even more Epic, "400 Blows" will truly mean something to you, and you will see why, even to this day, "KES" is still one of the greatest films made ever made in Yorksire, and probably the world. So knowing all this, I'm sure there are some films you will want to watch after reading this book, am I right? Can you imagine what Schindler's List will be like after this? Now, go, teach kids how to watch movies correctly!"

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Children's Dreaming and the Development of Consciousness

David Foulkes is one of the international leaders in the empirical study of children’s dreaming, and a pioneer of sleep laboratory research with children. In this book, which distills a lifetime of study, Foulkes shows that dreaming as we normally understand it—active stories in which the dreamer is an actor—appears relatively late in childhood. This true dreaming begins between the ages of 7 and 9. He argues that this late development of dreaming suggests an equally late development of waking reflective self-awareness. Foulkes offers a spirited defense of the independence of the psychological realm, and the legitimacy of studying it without either psychoanalytic over-interpretation or neurophysiological reductionism.

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